I. THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT, THE ORIGIN OF ITS NAME

            II. THE THEORY OF THE IMPRESSIONISTS—THE DIVISION OF TONES, COMPLEMENTARY COLOURS, THE STUDY OF ATMOSPHERE—THE IDEAS OF THE IMPRESSIONISTS ON SUBJECT-PICTURES, ON THE BEAUTY OF CHARACTER, ON MODERNITY, AND ON STYLE

            III. EDOUARD MANET: HIS WORK, HIS INFLUENCE

            IV. EDGAR DEGAS: HIS WORK, HIS INFLUENCE

            V. CLAUDE MONET: HIS WORK, HIS INFLUENCE

            VI. AUGUSTE RENOIR: HIS WORK, HIS INFLUENCE

            VII. PISSARRO, SISLEY, CAILLEBOTTE, CÉZANNE, BERTHE MORISOT, MARY CASSATT; THE SECONDARY ARTISTS OF IMPRESSIONISM—JONGKIND, BOUDIN

            VIII. THE MODERN ILLUSTRATORS CONNECTED WITH IMPRESSIONISM: RAFFAËLLI, TOULOUSE-LAUTREC, FORAIN, CHÉRET, ETC.

            IX. NEO-IMPRESSIONISM: GAUGUIN, DENIS, THÉO VAN RYSSELBERGHE—THE THEORY OF POINTILLISM—SEURAT, SIGNAC AND THE THEORIES OF SCIENTIFIC CHROMATISM—FAULTS AND QUALITIES OF THE IMPRESSIONIST MOVEMENT, WHAT WE OWE TO IT, ITS PLACE IN THE HISTORY OF THE FRENCH SCHOOL—SOME WORDS ON ITS INFLUENCE ABROAD