Wood-Carving Design and Workmanship
To the Reader,
Be you 'prentice or student, or what is still better, both in one, I introduce the following pages to you with this explanation: that all theoretical opinions set forth therein are the outcome of many years of patient sifting and balancing of delicate questions, and these have with myself long since passed out of the category of mere "opinions" into that of settled convictions. With regard to the practical matter of "technique," it lies very much with yourself to determine the degree of perfection to which you may attain. This depends greatly upon the amount of application which you may be willing or able to devote to its practise.
Remember—the laws which govern all good art must be known before they can be obeyed; they are subtle, but unalterable. The conditions most favorable to your craft must first be understood before these laws can be recognized. There yet remains at your own disposal that devotion of energy which is the first essential step, both in the direction of obtaining clearer views and in conquering technical difficulties.
I have to thank the following gentlemen for their assistance in providing photographs for some of the illustrations: Messrs. Bedford Lemere & Co.—H. Sandland—Charles C. Winmill—W. Weir—J. R. Holliday and F. K. Rives.